Synoptic Sentence View: Sentence 171
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Versions
Krapp's Last Tape Segment 171, version 1 (MS-UoR-1227-7-7-1, f. 13r)
A stops the machine, then gets remains motionless a moment, then gets up and goes backstage into shadow.
Krapp's Last Tape Segment 171, version 2 (MS-UoR-1227-7-7-1, f. 15r)
A stops the machine, broods, gets up and walks goes backstage into the shadows.
Krapp's Last Tape Segment 171, version 3 (MS-HRC-SB-4-2-1, f. 1r)
A siwwitches off machine, broods, consults looks at watch, gets up and goes backstage into shadows.
Krapp's Last Tape Segment 171, version 4 (MS-HRC-SB-4-2-2, f. 3r)
A switches off machine, broods, looks at watch, gets up and goes backstage into darkness.
Krapp's Last Tape Segment 171, version 5 (MS-HRC-SB-4-2-3, f. 3r)
Krapp switches off machine, nbroods, ;looks at his watch, gets up and goes backstage into darkness.
Krapp's Last Tape Segment 171, version 6 (MS-HRC-SB-4-2-4, f. 3r)
(
Krapp
switches off, broods, looks at his watch and goes backstage into darkness.
Krapp's Last Tape Segment 171, version 7 (MS-UoR-1659, f. 4r)
Krapp switches off, broods, looks at his watch, gets up and goes backstage into darkness.
Krapp's Last Tape Segment 171, version 8 (MS-HRC-SB-4-2-5, f. 4r)
(Krapp Krapp switches off, broods, looks at his watch, gets up, goes backstage into darkness.
Krapp's Last Tape Segment 171, version 9 (MS-HRC-SB-4-2-7, f. 6r)
KRAPP switches off, broods, looks at his watch, gets up, goes backstage into darkness.
Krapp's Last Tape Segment 171, version 10 (Faber and Faber 1959, p. 13)
KRAPP switches off, broods, looks at his watch, gets up, goes backstage into darkness.
Krapp's Last Tape Segment 171, version 11 (MS-SYR-GP-95, f. 17r)
Krapp switches off, broods, looks at his watch, gets up, goes backstage into darkness.
La Dernière Bande Segment 171, version 12 (MS-HRC-SB-4-2-6, f. 4r)
Krapp débranche l'appareil, rêvasse, regarde sa montre, se lève et s'en va au fond de la scène dans l'obscurité.
La Dernière Bande Segment 171, version 13 (Les Lettres Nouvelles, p. 8)
Krapp débranche l'appareil, rêvasse, regarde sa montre, se lève et s'en va au fond de la scène dans l'obscurité.
La Dernière Bande Segment 171, version 14 (Minuit 1959, p. 18)
Krapp débranche l'appareil, rêvasse, regarde sa montre, se lève et s'en va au fond de la scène dans l'obscurité.
Krapp's Last Tape Segment 171, version 15 (MS-HRC-SB-5-4, f. 16r)
KRAPP switches off, broods, looks at his watch, gets up, goes backstage into darkness.