Samuel Beckett
Digital Manuscript Project Beckett Digital Library

Beckett Digital Library (823 items) > sorted by place of publication > "M" (32 items)

Dictionary: Dizionario Francese-Italiano / Italiano-Francese
Berlin / Monaco: n.d.
Goya: 120 dibujos del Museo del Prado
Madrid: Ediciones Alfiz, 1980
Alfonso E. Pérez Sanchéz (ed.)
Inscription: For Samuel Beckett, / with love and gratitude / for his beautiful work. / Antonia / Abril 1986.
Egan, Desmond: Collected Poems
 Maine: The National Poetry Foundation; Newbridge: The Goldsmith Press, 1984
Inscription: 'August 1984 / For Sam Beckett / the living writer whom I / admire most / in fear and trembling! / - and with my warmest / regards and wishes / [signed]
Corneille, Pierre: La Galerie du palais
 Manchester: Manchester University Press; London: Longmans, Green & Co., 1920
Thomas B. Rudmose-Brown (ed.)
Location: Beckett International Foundation, The University of Reading
Inscription: 'Samuel B. Beckett / Trinity College / Dublin - / Michaelmas Term - 1923'
Reading traces on: 7*, 8*, 52*, 57*, 60*, 68, 75*, 79*, 85. (*: page contains marginalia)
Jonson, Ben: Epigrams, and The Forest
Manchester: Fyfield books, 1984
Richard Dutton (ed.)
Inscription: With affectionate good / wishes, for your birthday. / Katharine / April 1988
Dante Alighieri: La divina Commedia
Milan: Riccardo Ricciardi Editore, 1957
Natalino Sapegno (ed.)
Location: The private collection of Noga Arikha, New York
Dante Alighieri: La divina Commedia pages 1-100
Milan: Riccardo Ricciardi Editore, 1957
Natalino Sapegno (ed.)
Reading traces on: insert, 35*, 36*, 37*, 38*, 39*, 40*, 41*, 42, 43*, 44*, 45*, 46*, 47*, 48*, 49*, 50*, 51*, 52*, 53*, 54*, 55*, 56*, 57*, 59, 60*, 61*, 62*, 63*, 64*, 65*, 66, 68*, 69*, 70*, 71*, 72, 73*, 74*, 75, 76*, 77*, 78*, 79*, 80*, 81*, 82, 83*, 84*, 85*, 87*, 88*, 89*, 90*, 91*, 94*, 95*, 96, 97, 99*, 100, 101*. (*: page contains marginalia)
Dante Alighieri: La divina Commedia pages 101-200
Milan: Riccardo Ricciardi Editore, 1957
Natalino Sapegno (ed.)
Reading traces on: 102*, 103*, 104*, 105*, 106*, 107*, 108*, 109*, 110*, 111*, 112*, 113, 114*, 115*, 116*, 117*, 118*, 119*, 120*, 121*, 122*, 123*, 124*, 125*, 126*, 127*, 128*, 129*, 130*, 131*, 132*, 133*, 134*, 136*, 137*, 138*, 139*, 140*, 141*, 142*, 143*, 144*, 145*, 146*, 147*, 148*, 149*, 150*, 151*, 152*, 153*, 154*, 155*, 156*, 157*, 158*, 159*, 160*, 161*, 162*, 163*, 164*, 165*, 166*, 167*, 168*, 169*, 170*, 171*, 172*, 173*, 174*, 175*, 176*, 177*, 178*, 180*, 181*, 182*, 183*, 184*, 185*, 186*, 187*, 188*, 189*, 190*, 191*, 192*, 193*, 194*, 195*, 196*, 197*, 198*, 200*. (*: page contains marginalia)
Dante Alighieri: La divina Commedia pages 201-300
Milan: Riccardo Ricciardi Editore, 1957
Natalino Sapegno (ed.)
Reading traces on: 201*, 202*, 203*, 204*, 205*, 206*, 207*, 208*, 209*, 210*, 211*, 212*, 213*, 214*, 215*, 216*, 217*, 218*, 219*, 220*, 221*, 222*, 223*, 224*, 225*, 226*, 227*, 228*, 229*, 230*, 231*, 232*, 233*, 234*, 235*, 236*, 237*, 238*, 239*, 240*, 241*, 242*, 243*, 244*, 246*, 247*, 248*, 250*, 251*, 252*, 253*, 254*, 255*, 256*, 259, 260, 261, 264*, 267*, 268, 269, 271*, 272*, 273*, 274*, 275*, 276*, 278*, 279*, 280, 281, 282, 283, 284*, 285*, 286*, 289*, 290, 291*, 294*, 295, 296, 296, 297, 298. (*: page contains marginalia)
Dante Alighieri: La divina Commedia pages 301-400
Milan: Riccardo Ricciardi Editore, 1957
Natalino Sapegno (ed.)
Reading traces on: 300*, 302*, 303*, 304, 305*, 307*, 308*, 309*, 310*, 313, 314*, 315*, 318*, 319*, 320*, 321*, 322*, 323*, 325, 327*, 328*, 329*, 331*, 332*, 333*, 334*, 336*, 341, 342*, 343*, 344*, 346*, 347*, 348*, 349*, 350, 351*, 352*, 354*, 355*, 356*, 357*, 358*, 364*, 365*, 366*, 368*, 369*, 372*, 375*, 376*, 377*, 378*, 380*, 381*, 382*, 383*, 385*, 386*, 387, 388*, 389*, 390*, 391*, 392*, 393*, 394*, 396*, 397*, 398*. (*: page contains marginalia)
Dante Alighieri: La divina Commedia pages 401-500
Milan: Riccardo Ricciardi Editore, 1957
Natalino Sapegno (ed.)
Reading traces on: 404*, 406*, 407*, 409*, 411*, 412*, 413*, 414*, 415*, 416*, 417*, 418*, 419*, 420*, 421*, 422*, 423*, 424*, 425*, 426*, 427*, 429*, 430*, 431, 432*, 433*, 434*, 435, 436*, 439*, 440*, 441*, 442*, 443*, 444*, 445*, 448*, 449*, 452*, 454*, 455*, 456, 457*, 458*, 459*, 460*, 462, 463*, 464*, 465*, 466*, 467, 468*, 469*, 471*, 472*, 473*, 475*, 476*, 477*, 478*, 479*, 480, 481*, 482*, 483*, 484*, 485*, 487*, 488*, 489*, 495*, 497*, 498*, 499*, 500*. (*: page contains marginalia)
Dante Alighieri: La divina Commedia pages 501-600
Milan: Riccardo Ricciardi Editore, 1957
Natalino Sapegno (ed.)
Reading traces on: 501*, 502*, 504*, 507*, 509*, 510*, 511*, 512*, 513*, 515*, 516*, 517*, 518*, 519*, 520*, 521*, 523*, 528*, 529*, 530*, 531*, 532*, 534*, 535*, 536*, 537*, 538*, 539*, 541*, 543*, 544*, 545*, 546*, 547*, 548*, 549*, 550*, 551*, 552*, 553*, 554*, 555*, 556*, 557*, 558*, 559*, 560*, 561*, 562*, 563*, 564*, 566*, 567*, 569*, 571*, 572*, 573*, 575*, 576*, 577*, 578*, 579*, 580*, 581*, 582*, 583*, 584*, 585*, 586*, 587*, 588*, 589*, 590*, 591*, 592*, 593*, 594*, 595*, 596*, 597*, 598*, 599*, 600*. (*: page contains marginalia)
Dante Alighieri: La divina Commedia pages 601-700
Milan: Riccardo Ricciardi Editore, 1957
Natalino Sapegno (ed.)
Reading traces on: 601*, 602*, 603*, 605*, 606*, 607*, 608*, 609*, 610*, 611*, 613*, 614, 615*, 616*, 618*, 620*, 621*, 622*, 623*, 624*, 625*, 626*, 627*, 628*, 629*, 630*, 631*, 632*, 633*, 634*, 635*, 636*, 637*, 638*, 642*, 643*, 645*, 647*, 649*, 650*, 653*, 654*, 657*, 658*, 661*, 662*, 665*, 666*, 672, 681. (*: page contains marginalia)
Dante Alighieri: La divina Commedia pages 701-799
Milan: Riccardo Ricciardi Editore, 1957
Natalino Sapegno (ed.)
Reading traces on: 701.
Giacosa, Giuseppe: Diritti dell'anima / Tristi amori
Milan: Fratelli Treves, 1923
Notes: - no front cover; - corner of page 22 folded down
Joyce, James: Musica da camera: Poesie giovanili di James Joyce
Milan: All'Insegna del pesce d'oro, 1961
Aldo Camerino (translation)
Leopardi, Giacomo: I Canti
Milan: Casa per Edizioni Popolari, 1936
Ettore Fabietti (ed.)
Leopardi, Giacomo: Prose: Con uno studio di Pietro Giordani
Milan: Istituto Editoriale Italiano, n.d.
Notes: - price of 1/- on inside cover; - postcard with stamp from Norwich inserted on page 158, addressed to S.B. at 34 Gertrude Street: '9/7/35/ Having a splendid / time & weather per- / fect. [Will] be [coming] / up to you [probably] / Monday / Will let / you know definitely / later. / Love / [?]'
Petrarca, Francesco: Le Rime del Petrarca, Vol. 1
Milan: Nicolò Bettoni, 1824
Location: The private collection of Anne Atik, Paris
Beckett uses references to the line 'chi può dir com'egli arde è'n picciol foco', the last line from Petrarch's sonnet CXXXVII of the Canzoniere (probably taken from Montaigne's essay 'De la tristesse'), in Krapp's Last Tape / La Dernière Bande (MS-HRC-SB-4-2-4, page 6r and MS-HRC-SB-4-2-4, page 7r) and in L'Innommable / The Unnamable ("lueurs ... brûlent" in sentence 129 in Minuit 1953 and "faint fires" in MS-HRC-SB-5-9-1, page 04r).
Petrarca, Francesco: Le Rime del Petrarca, Vol. 2
Milan: Nicolò Bettoni, 1824
Location: The private collection of Anne Atik, Paris
Inscription: 'Eliza Jane de [Visma] / the gift of her dear Father / 1836'
Reading traces on: 8*, 13*, 17*, 23*, 24*, 29, 35*, 36*, 39*, 42, 44, 48, 49, 53, 54, 56, 60, 63, 66, 79, 80, 89, 91, 95, 103, 104, 105, 107, 109, 110, 112, 113, 121, 124, 182, 183, 184, 185, 188, 189. (*: page contains marginalia)
Siebzehner-Vivanti, Giorgio: Dizionario della Divina commedia
Milan: Feltrinelli, 1965 [1954]
Tasso, Torquato: Gerusalemme liberata
Milan: Ulrico Hoepli, 1923
6th ed.
Inscription: Samuel B. Beckett / May 1925
Reading traces on: 1*, 2*, 3*, 4*, 5*, 6*, 7*, 8*, 9*, 30*, 31*, 54*, 55*. (*: page contains marginalia)
Notes: The book is heavily annotated, whereby two modes discernible (similar to other TCD books): ink, black and blue pen, and pencil underlining and annotation tend to be translations of specific words/lines; coloured pencil tend to be underlining and crosses against passages, ie contextual annotation. Annotations continue to the end of Canto X, after that, nothing. Sample scans of pages 2-9 made.
Arrabal, Fernando: Chroniques de l'express: Les échecs féeriques et libertaires
Monaco: Éditions du Rocher, 1980
Inscription: Pour Samuel Beckett / Avec mon admiration / F. Arrabal / (Samuel Arrabal / a déjà 8 ans)
Chamfort: Maximes et anecdotes
Monaco: Éditions du Rocher, 1950 [1944]
2nd ed.
Reading traces on: tp1*, 21, 25, 28, 31, 35, 39, 42. (*: page contains marginalia)
Notes: marginalia: on title page, written in black felt pen, are page numbers, which correspond to pages on which there are lines down the side of specific maxims: 21, 25, 28, 31, 35, 39, 42. [cf. SB's translations of Chamfort].
Arakawa: Mechanismus der Bedeutung (Werk im Entstehen: 1963-1971)
Munich: Bruckmann, 1971
Fontane, Theodor: Werke
Munich: Carl Hanser Verlag, 1958
Walter Keitel (ed.)
Notes: 2 volumes
Hausenstein, Wilhelm: Die Masken des Komikers Karl Valentin
Munich: Deutscher Taschenbuchverlag, 1980
Inscription: "Samuel Beckett / mit freundschaftlichen Grüßen / und guten Wünschen / Gottfried und Marie Renate / KS., 5.2.80"
Ältere Pinakothek München
Munich: Amtlicher Katalog, 1936
Location: Lilly Library - Indiana University Bloomington
Reading traces on: frontinsidecover, 15, 234*. (*: page contains marginalia)
Old Pinakothek Munich: Illustrated Cataloge: Old Pinakothek Munich
Munich: 1928
16. Edition
Location: Lilly Library - Indiana University Bloomington
Inscription: X. Sheppard / Knockranny / Baily
Unseld, Joachim: Franz Kafka; Ein Schriftstellerleben: Die Geschichte seiner Veröffentlichungen
Munich: Carl Hanser Verlag, 1982
Inscription: Für Samuel Beckett / in grosser Verehrung / Joachim Unseld / Frankfurt, Mai 82
Hölderlin, Friedrich: Werke, Briefe, Dokumente
München: Winkler Verlag, 1977 [1963]
Inscription: 'Zur Erinnerung an / "Was Wo" / Stuttgart, 27.6. 85 / Walter / xxx / Wolfgang / xxx'
Hölderlin, Friedrich: Dichtungen und Briefe
München: Winkler-Verlag, 1952
Hannsludwig Geiger (ed.)
Reading traces on: 251.
Notes: illegible note inside back cover; corner of page 251 must have been folded down in past - 'Der Spaziergang'
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