Samuel Beckett
Digital Manuscript Project
Footfalls / Pas

MS-UoR-1552-1

X
Segment 1

V

[0100] It all. [0101] (Pause.) [0102] In your poor [head] mind. [0103] (Pause.) [0104] It all. [0105] [](Pause) [0106] It all.

[0107] M continues pacing. [0108] [Five seconds.] Say 3 lengths [0109] Fade out on strip.
[0110] Stage in darkness. [0111] [Silence.] [0112] Long pause.

S

[0112|001] Two. [0113] [Sound]

[0115] Fade up [to xxx xxx xxx] dimmer on strip. [0116] [, shorter, 4 steps starting at xxx] Rest in darkness.
[0117] M standing facing front at R end
[0118] Five seconds Pause

X
Segment 2

V
[0118|001] Now I am one who may not predecease her.
[0118|002] Chilling prospect, for her physical [health]
is fair.
[0129] See how firm she stands, how clear
the [complexion] skin and, when she [moves], with
what poise.
[0130] (Pause.) [0133] Yet she never goes
abroad, she has not been abroad now for -
let me calculate - over 30 years.
[0133|001] So no [
hope from that quarter].

X
Segment 3

[0134] (Pause.) [0139] Where is she,
it may be wondered.
[0141] She is in the old home,
the same where she was fooled into this world
by the old family physician, a general
practitioner named Haddon, long gone to
his account.
[0141|001] So much for that [unity]. [0141|002] (Pause.)
[0141|003] Though on the plain side, []as you may see she has had admirers,
male & female, but [none] outstanding, as far as that
[one knows].

X
Segment 4

[0141|004] []Indeed that That she is still a maid
is almost certain.
[0141|005] So [no] light from that [quarter].
[0148] (Pause.) [0149] Let us pass on now and ask, When did this
begin?
[0149|001] Shall we say, In girlhood? [xxx]
Well before puberty?

X
Segment 5

[0151] And that when other girls
of her age were out playing hockey, or otherwise
revelling in life, she was at this selfsame place
where you see her now, now still and out-
wardly calm, now pacing back & forth,
back & forth, with [tread more measured
than at sentry-go]?
[0152] (Pause.)

X
Segment 6

[0177] Does she [ever utter now?] still
sleep?
[0178] In fits & starts, bows her head
[till it rests] against the wall and gets a
little light sleep.
[0180] [xxx xxx xxx xxx?] Still speak.
[0181] Some nights it is said she does, in the
dead hour when all are sleeping and she thinks
[xxx xx xxx] none can [xxx] hear.

[0155] The floor here,
now bare as some of you may see, was once -.

[0155|001] (Pause. [0156] M starts pacing.) [0158] But let us watch
her [pace] in silence.
[0163] (M paces in silence till
finally, at one or other end of strip, V
joins in, synchronous with steps
.)
[0164] One two
three four five six seven wheel, one two three
four five six seven wheel.
[0164|001] (Pacing continues)

X
Segment 7

[0164|002] [Dix till M halts at same point as at curtainside.]
[0161] See with what grace she wheels, now deasil,
now withershins, and, when she halts, how
always facing [xxx] the wall, to gaze before her with
unseeing eyes.
[0165] (Pacing continues till M
halts at [xxx] R end of strip
.)

X
Segment 8

[0166] Now to return
to this strip stretch of floor, once it was carpeted,
a deep pile,
[0167] until one day, while still
little more than a child, she called her
mother & said, Mother, this is not enough.

X
Segment 9

[0168] What do you mean, Mary, said the mother,
incidentally long gone to her account, what
can you possibly mean, Mary, not enough?

[0173] No, mother, she said, I must hear [xxx] the
feet, however faint they fall.
[0175] (Pacing
resumed.)

X
Addition 1
skin
X
Addition 2
as you may see
X
Addition 3
Indeed that
X
Addition 4
[0177] Does she [ever utter now?] still
sleep?
[0178] In fits & starts, bows her head
[till it rests] against the wall and gets a
little light sleep.
[0180] [xxx xxx xxx xxx?] Still speak.
[0181] Some nights it is said she does, in the
dead hour when all are sleeping and she thinks
[xxx xx xxx] none can [xxx] hear.

X
Addition 5
the wall
Transcription
  • Segments
  • Marginal Additions