MS. Pages: | 01r - 05r | 05v - 05v |

[0005] Curtain. [0006] Stage in darkness. [0007] Fade up to lListener's face spotlit
about 10' [⁁]feet[⁁] above stage level midstage off centre.
[0008] Old white face, long flaring white hair as if seen from above outspread.
[0009] Voices A B C are his own coming to him from both sides and above [0011] (see note). [0010] They modulate back and forth without any break in general flow except where silence indicated.
[0012] Silence 7 seconds. [0013] Listener's eyes are open. [0014] His breath audible, slow and regular.
A |
[0015] that time you went back that last time to look was the ruin still
there where you hid as a child when was that (eyes close) grey
day took the eleven to the end of the line and on from there no
no trams then all gone |
C |
[0016] when you went in out of the rain always winter then always raining that time in the Portrait Gallery in off the street out of the cold and rain slipped in when no one was looking and through the rooms shivering and dripping till you found a seat marble slab and sat down to rest and dry off and on to hell out of there when was that |
B |
[0017] on the stone together in the sun on the stone at the edge of the little wood and as far as eye could see the wheat turning yellow vowing every now and then you loved each other just a murmur not touching or anything of that nature you one end of the stone she the other long low stone like millstone no looks just there together on the stone in the sun with the little wood behind gazing at the wheat or eyes closed all still no sign of life not a soul abroad no sound |
A |
[0018] straight off the ferry and up with the nightbag to the high street
neither right nor left not a curse for the old |
C |
[0019] was your mother still ah for God's sake all gone long ago all dust
the lot you the last huddled up on the slab in the old green greatcoat with your arms round you whose else hugging |
B |
[0020] all still just the leaves and ears and you too still on the stone
in a |

A |
[0021] Foley was it Foley's Folly bit of a tower still standing all
the rest rubble and nettles where did you sleep no friend all
the homes gone was it that kip on the front where you no she
was with you then still with you then just the one night in any
case off the ferry one m |
C |
[0022] till you |
B |
[0023] on the stone in the sun gazing at the wheat or the sky or the
eyes closed nothing to be seen but the wheat turning yellow and
the blue sky vowing every now and then you loved each other just a murmur tears
without fail till they dried up altogether suddenly there in |
C |
[0024] never the same after that never quite the same but that was nothing
new if it wasn't this it was that commong |
A |
[0025] or talking to yourself who |
B |
[0026] or by the window in the dark harking to the owl not a thought in
your head till hard to believe harder and harder to believe you
ever told anyone you loved them onr |
[0027] Silence te 10 seconds. [0028] Breath audible. [0029] After 3 seconds eyes open.
C |
[0030] never the same but the same as what for God's sake did you ever
say I to yourself in your life come on now (eyes close) could you
ever say I to yourself in your life |

B |
[0031] muttering that time together on the stone in the sun or that
time together on the towpath or that time together in the sand
that time that time making it up from there as best you could
always together somewhere in the sun on the towpath facing downstream into the sun sinking and the bits of flotsam coming from
behind and drifting on or caught in the reeds the d |
A |
[0032] that time you went to l |
C |
[0033] when you started not knowing who you were from Adam trying how
that would work for a change not knowing who you were from Adam no |
B |
[0034] no sight of the face or any other part never turned to her nor she
to you always parallel like on an axle-tree never turned to each
other just blurs on the fringes of the field no touching or anything of that nature always space between if only an inch no pawing
in the manner of flesh an |
A |
[0035] no getting out to it that way s |
C |
[0036] the rain and the old rounds trying making it up that way as you
went along how it would work that way for a change never having
been how never having been would work the old rounds trying to
wangle you into it tottering and muttering all over the parish
till the words dried up and the head drie |
B |
[0037] stock still always stock still like that time on the stone or that time in the sand stretched out parallel in the sun gazing up at the blue with the glider or eyes closed blue dark blue dark stock still side by side scene float up and there you were wherever it might be |
A |
[0038] gave it up gave up and sat down on the steps in the pale morning sun no those steps got no sun somewhere else then gave up and off somewhere else and down on a step in the pale sun a doorstep say someone's doorstep for it to be time to get on the night ferry and out to hell out of there no need sleep anywhere not a curse for the old scenes the old names the passers pausing to gape at you quick gape then pass pass on pass by on the other side |

B |
[0039] stock still side by side in the sun then sink and vanish
without your having stirred any more than the two knobs
on a dumbbell except the li |
C |
[0040] always winter then always raining always slipping in somewhere when no one would be looking in off the street out
of the cold and rain in the old green holeproof coat your
father left you places you hadn't to pay to get in like the
Public Library that was another great thing boon free culture in
foul weather far from home |
A |
[0041] huddled on the doorstep in the old green greatcoat in the pale
sun with the nightbag needless |
[0042] Silence 10 seconds. [0043] Breath audible. [0044] After 3 seconds eyes open.
B |
[0045] or alone in the same the same scenes making it up that way to
keep going keep it goin |
A |
[0046] none ever came but the child on the stone among the giant nettles with the light coming in where the wall had crumbled away poring on his book well on into the night some moods the moonlight and they all out on the roads looking for him or making up talk breaking up two or more talking to himself that way being together that way where none ever came |
C |
[0047] always winter then endless winter year after year as if it couldn't
end |
B |
[0048] or that time alone on your back in the sand and no vows to break
the peace when was that an earlier time a later time before she came
after she went or both before she came after she was |
A |
[0049] eleven or twelve in the ruin on the flat stone among the nettles
in the dark or moonlight muttering away now one voice now another
there was childhood for you till there on the step in the pale sun
you heard yourself at it again not a curse for the passers pausing
to gape at the scandal huddled there in the sun where it had no
warrant clutching the nightbag drooling away out loud eyes closed
and the white hair pouring out down from under the hat and so |

C |
[0050] perhaps fear of ejection having clearly no business in the place
to say nothing of the loathsome appearance so this look round for
once at your fellow bastards thanking God for once bad and all as
you were you were not as they till it dawned that f |
B |
[0051] the glider passing over the same never any change same blue skies
nothing ever changed but she with you there or not on your right
hand always the right hand on the |
A |
[0052] making it all up on the doorstep as you went along making yourself all up again for the millionth time forgetting it all where you were and what for Foley's Folly and the lot the child's ruin you came to look was it still there to hide in again till it was night and time to go till that time came |
C |
[0053] the Library that was another another place another time that time you slipped in off the street out of the cold and rain when no one was looking what was it then you were never the same after never again after something to do with dust something the dust said sitting at the big round table with a bevy of old ones poring on the page and not a sound |
B |
[0054] that time in the end when you tried and couldn't by the window
in the dark and the owl flown to hoot at someone else or back
with a shrew to its hollow tree and not another sound hour after
hour not a sound when you tried and tried and couldn't any more
no words left to keep it out so gave up there by the window in
the dark or moon |
A |
[0055] back down to the wharf with the nightbag and the old green greatcoat
your father left you trailing the ground and the white hair pouring out
down from under the hat till that time ca |
C |
[0056] not a sound only the old breath and the leaves turning and then
this dust w |
[0057] Silence 10 seconds. [0058] Breath audible. [0059] After 3 seconds eyes open. [0060] After 5 smile, toothless for preference. [0061] Hold 5 seconds till fade out and curtain.
[0001] Note: [0002] A, B and C ABC are one & the same voice and,
apart from the two ten-second 10" breaks, xxx
relay each one another in unbroken flow
without solution of continuity . [0003] Yet the switch
from one to another must be clearly if faintly
perceptible. [0004] If this [⁁]effect[⁁] not sufficiently conveyed by diversity of source
& context
xxx it shd. be assisted mechanically (e.g slight diversity of pitch).
MS. Pages: | 01r - 05r | 05v - 05v |