
[1418] I do forget them and I watch the couple as they watch each other, a
great way off.
[1419] But my feet are not like my hands, I do not bring them
back to me, when they become my feet again, for I cannot, but they stay
there, far from me, but not so far as before.
[1420] End of the recall.
[1421] But
you'd think that once well clear of the town, and having turned round to
look at it, what there was to see of it, you'd think that then I should
have realized whether it was really my town or not.
[1422] Nothing of the kind, But no,
I looked at it in vain, and perhaps unquestioningly, and simply to give
the gods a chance, by turning round.
[1423] Perhaps I only made a show of
looking at it.
[1424] I didn't feel I missed my bicycle, no, not really.
[1425] I
didn't much mind going on xx my way the way I said, swinging low in the dark over
the earth, along the little empty country roads.
[1426] And I said there was
little likelihood of my being bothered [⁁]disturbed interfered with and that it was more likely I
should bother [⁁]disturb interfere with them, if they saw me.
[1427] It's in the morning you must [⁁]Morning is the time to hide.
[1428] They wake up, gay as larks [⁁]hale and hearty, their tongues hanging out for order, beauty
and justice, baying for their due.
[1429] Yes, from eight or nine till midday [⁁]noon
is the dangerous time.
[1430] But towards midday [⁁]noon things get quieter [⁁]quiet down, the most
implacable are stated, they go home, it might have been better but they've
done a good job, there have been a few survivors but they'oll give no more
trouble, each man counts his rats.
[1431] It may begin again in the early
afternoon, after the banquet, the celebrations, the congratulations,
the orations, but it's nothing compared to the morning, mere sport [⁁]fun.
[1432] Coming up to four or five of course there is the night-shift, the
vigilantes [⁁]watchmen, beginning to bestir themselves.
[1433] But already the day is over,
the shadows lengthen, the walls multiply, you hug the walls, bowed down
like a good boy, bursting [⁁]oozing with obsequiousness, having nothing to hide,
hiding merely from mere terror, looking neither right nor left, hiding but
not provocatively, ready to come out, to smile, to listen, to crawl,
nauseating but not pestilent, less rat than toad.
[1434] Then the true night,
- Segments
Molloy © 2016 Samuel Beckett Digital Manuscript Project.
Editors: Magessa O'Reilly, Dirk Van Hulle, Pim Verhulst and Vincent Neyt